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01. Move Over
02. Cry Baby
03. A Woman Left Lonely
04. Half Moon
05. Buried Alive In The Blues
06. My Baby
07. Me And Bobby McGee
08. Mercedes Benz
09. Trust Me
10. Get It While You Can
Bonus Tracks: The Mono Single Masters
11. Me And Bobby McGee (Mono Single)
12. Half Moon (Mono Single)
13. Cry Baby (Mono Single
14. Get It While You Can (Mono Single)
15. Move Over (Single Version)
16. A Woman Left Lonely (Mono Single)

01. Overheard In The Studio...
02. Get It While You Can (Take 3)
03. Overheard In The Studio...
04. Get It While You Can (Take 5)
05. Overheard In The Studio...
06. Move Over (Take 6)
07. Move Over (Take 13)
08. Move Over (Take 17)
09. Me And Bobby McGee (Demo Version)
10. Me And Bobby McGee (Take 5 — Alternate)
11. Cry Baby (Alternate Version)
12. A Woman Left Lonely (Alternate Vocal)
13. Overheard In The Studio...
14. My Baby (Alternate Take)
15. Overheard In The Studio...
16. Get It While You Can (Take 3)
17. My Baby (Alternate Version)
18. Pearl (Instrumental)
Bonus Tracks:
19. Tell Mama (Live Version)
20. Half Moon (Live From "The Dick Cavett Show")

Двухдисковое издание "The Pearl Sessions" - компиляция пожалуй лучшего альбома Janis Joplin "Pearl" выщедшего в 1971 году уже после смерти 27-летней певицы. Первый диск включает оригинальный альбом дополненный бонусами. На втором диске раннее не издававшиеся версии песен.
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Not to state the obvious, but the reality is that The Pearl Sessions by Janis Joplin is primarily for completists and musical historians. That’s fine; given its design and contents it appears it was meant to be. The two-disc package includes the original album and mono 45 masters of six of its tracks — including “Me & Bobby McGee,” “Move Over,” and “Get It While You Can.” These are interesting, but they don’t hold a candle to the stereo album mixes. It’s the second disc that holds the fan treasures. The studio banter by Joplin, producer Paul A Rothchild, and the Full-Tilt Boogie Band is priceless. It offers proof of Joplin’s exacting standards when it came to getting across the maximum emotional impact of a song, as well as her vulnerability — asking for guidance from Rothchild as to how to approach a particular take (he hands control right back to her). There is also plenty of humor, including comments about Richard Nixon and an unnamed rock star that Joplin claims she wouldn’t bed because he’s boring and a nerd. The genuine camaraderie between her, her band, and her producer offers ample evidence that these sessions were as much fun as they were work. Musically, there are multiple alternate takes of some album cuts. Sometimes they rival or even surpass versions that ended up on the final product: the fifth take of “Get It While You Can” (there are three here) and the demo of “Me & Bobby McGee,” where she is accompanied only by an acoustic guitar. There are three takes in a row of “Move Over.” The alternate of “Cry Baby,” while inferior to the album take, reveals the song’s deep emotional attraction for Joplin. Alternate takes of “Cry Baby” and “My Baby” are compelling. In addition, there is an instrumental version of “Pearl” (that could have been left off as it reveals nothing and is wholly uninteresting), a live version of “Tell Mama,” with a breakneck tempo that makes one wonder why it was chosen, and a performance of “Half Moon,” from the Dick Cavett Show in 1970. Add to this Rothchild’s own remembrances from and observations about these sessions, Holly George-Warren’s excellent liner notes, some rare photographs, and hardcore Joplin fans and historians have an excellent retrospective package which, while illuminating the process of the creation of Pearl, doesn’t replace it in the canon.

Acoustic Guitar - Bobby Womack (tracks: 9), Pearl (tracks: 7)
Bass - Brad Campbell
Bongos - Bobbye Hall
Chorus - Full Tilt Boogie, Pearl, John Cooke, Phil Badella, Vince Mitchell
Congas - Bobbye Hall
Drums - Clark Pierson
Guitar - John Till
Organ - Ken Pearson
Piano - Richard Bell
Tambourine - Sandra Crouch
Vocals - Janis Joplin